Halloween Vintage Cat Horror Film Night – Oct. 31st 2021

Still from “The Black Cat”

Come to the Institute of Crazyology for a double-feature of classic cat themed horror films.
Halloween Night! Sunday, October 31st 2021

Doors open at 7:30 PM

“The Black Cat” 8 PM

“Curse of the Cat People” 10:30 PM

Admission: $13.00


Notes on the films by Neil Martinson:

The Black Cat (1934) is a pre-Code horror film, and among the first movies with an almost continuous music score. It became Universal Pictures’ biggest box office hit of the year, and helped to create and popularize the psychological horror subgenre, emphasizing atmosphere, eerie sounds, the darker side of the human psyche, and emotions like fear and guilt to deliver its scares.The British critic Philip French wrote, “The movie unfolds like a nightmare that involves necrophilia, ailurophobia (fear of cats), drugs, a deadly game of chess, torture, flaying, and a black mass with a human sacrifice. This bizarre, utterly irrational masterpiece, lasting little more than an hour, has images that bury themselves in the mind.”Directed by Edgar G. Ulmer.
Produced by Carl Laemmle Jr. and E. M. Asher.
Starring Boris Karloff, Béla Lugosi, David Manners and Julie Bishop.

The Curse of the Cat People (1944)
A moody psychological fantasy thriller that follows Amy, a young girl who befriends the ghost of her father’s deceased first wife, Irena, a Serbian fashion designer descended from a race of people who could transform into cats. Although sharing some of the same cast and characters and marketed as a sequel to 1942’s Cat People, the film is self contained and only tangentially related to its predecessor.The New York Times’ Bosley Crowther called it “a rare departure from the ordinary run of horror films [which] emerges as an oddly touching study of the working of a sensitive child’s mind”.Directed by Gunther von Fritsch and Robert Wise.
Produced by Val Lewton.
Starring Simone Simon, Kent Smith, and Jane Randolph.

Many Thanks!!!

Thanks to everyone who came to the first PURRZDAY kava and piano salon!!

What a relaxingly enchanted evening it was!

Very special thanks to the pianists:

Amy Norman and Paulo Sultanum

For providing such a beautiful recital. Here are a few photos taken by Debbie Sciales of Sunset Piano who has been ‘instrumental’ (no pun overly much intended) in getting this going.

Many thanks also to the Crazyology Stewardesses, Hannah Wise and Sunny Vinson, for providing the lovely kava bar service and doing so many other things to make the Institute of Crazyology come to life!


We’re having the first Purrzday Kava and Piano Salon this upcoming Thursday, August 5th. Come join us for enchanting kava, emanations of Universal Cat Consciousness, AND an exquisite piano recital by Amy Norman and Paulo Sultanum. This will be a weekly artistic salon that centers around piano music, but is also a forum for other arts, artistic discussion, and social evolution – all in the eclectic spirit of CRAZYOLOGY!

Welcome to Purrzdays at The Institute of Crazyology at 1000 Van Ness! Starting this month of August, 2021 we will be opening a pop up Kava Salon and Piano Lounge Thursday evenings every week.

Ponder holofelinity roaming within Cathenge; an immersive, sound healing art experience, by David Normal. The Cat Temple is home to feline souls who appreciate a sensual and stimulating environment.

Surrounded by colorful cats, hear the sounds of the talented pianists:

7:30 PM Amy Norman

9:00 PM Paulo V Sultanum

Purrrforming at the Instititute’s shimmering baby grand piano (donated by Sunset Piano)

Walk among the columns and grand statues under the ornate lofted golden ceilings of The Institute of Crazyology (a historic Cadillac showroom) creating a unique acoustic resonance for our pianists to truly shine.

Hannah Wise and Sunny Vinson, high stewardesses of the Institute, will be offering Kava Kava. An enchanting Polynesian traditional libation tickling the GABA receptors in the brain. An empathogenic-like brew that brings on the feline vibrations of relaxation.

Inaugural Crazyology Ball: “Space Cat Invocation and Cat Priestess Ceremonial Dance”

“Space Cat Invocation and Ceremonial Dance of the Cat Priestesses of Pussiopolis”.

This all happened spontaneously in the true spirit of Crazyology! All the right players came together at the serendipitous moments to allow this to transpire at the the Inaugural Crazyology Ball.

Lukas What-What came over one night to help with lighting and atmosphere, and brought the lovely Miss Lita (@hotsaucehotel) along. Lita was compelled by the power of Holofelinity, and she was determined to create a “Cat Priestess Ceremony” for the Institute of Crazyology. Cacophony Society’s, John Law, suggested that Dr. Hal of the Church of the Subgenius, make a “Space Cat Invocation”. My long-time collaborator, Rex Mundi, came out all the way from Lawrence, Kansas and wrangled mad piano virtuoso, William Benjamin, down from Seattle (by train) to play the the Jan August piano arrangement of lavish Oriental romance standard, “Misirlou”, as an accompaniment for the “Cat Dance of the Cat Priestesses of Pussiopolis”.

In the planning for this spectacle uncertainty presided, yet was overcome by determination: The dancer, Lita, though interred in the Alta-Bates Psychiatric hospital in Berkeley, arranged everything. It wasn’t clear that she would be released on time because she was having her hormones re-balanced after the removal of her thyroid gland. This major surgery she underwent to cure her of Tachycardia (accelerated heart rate) that threatened her 30 years with heart attack, stroke, etc. Personally, I was concerned first for her health, and when she would call me from the hospital I asked her repeatedly if she really felt up to dancing at the Ball. She was firm that not only was she up for it, but that such a ceremony would heal her.

It seems that Lita was released directly from the psychiatric ward to the Institute of Crazyology (she was released just the previous evening). She arrived at the Institute with the coven of beautiful Cat Priestesses she had gathered together. All of them had been prepped on the song; “Misirlou”, the “Cat Chakra” concept, and changed into costume, readied themselves for the dance, radiating “Holofelinity” (Universal Cat Consciousness). They were joined by Hannah Wise, gymnast, who performed a number of dazzling leaps and flips during the dance. So there were a total of six cat priestesses – one for each Catolith!

Meanwhile, William Benjamin, the virtuoso pianist had been practicing “Misirlou” for days on the beautiful Baldwin baby grand (courtesy, Sunset Piano). As showtime approached he became increasingly temperamental as his obsession with perfecting his performance reached a fever-pitch. Yet, he never crossed any boundary of unprofessionalism. On the contrary, to me; he was merely exhibiting those side-effects of a specific breed of genius that demands uncompromised focus and concentration: The Great Concert Pianist. And when it came time to perform, his exacting attention to detail showed through in a spellbinding performance!

Who knows what realms of madness lurk in the pseudo-evangelical pop-culture hysterical depths of the hallowed Church of the Subgenius. Only Dr. Hal can tell for certain. The master thaumaturgist was as unflappable as he was impeccable, seemingly the unmoving eye of the hurricane around which the capricious powers of the space cats were assembling, awaiting the opening of the Gates of Holofelinity to allow them to transubstantiate in our dimension, while he, Dr. Hal, with an oracular precision made the invocation in an even and dispassionate manner.

And transubstantiate the Space Cats did!!! The Cat Priestesses cavorted and leaped, catharted and wriggled – seemingly spontaneously possessed by the Ancient Lyrans of Lemewria (Space Cats of Earth’s Lost Civilization) themselves.

This performance – the entire exercise – is an object lesson in a central principle of Crazyology: “The Lunatics Run the Asylum”. Give those who others scorn as “mad” a chance to do things on their own terms, and all traces of “insanity” disappear and only inspiration remains.

Inaugural Crazyology Ball Documentation (Part 1)

It was a memorable Summer Solstice this past Sunday, June 20th, 2021 when we held the Inaugural Crazyology Ball.

“La Fete Sauvage” (Handbill from 1993 LA Party)

It seems I have a predilection for the Solstice (I had the unveiling of Crossroads of Curiosity on the Summer Solstice of 2015, and presently I am preparing for the opening of the Institute of Crazyology on this upcoming solstice) .

This is a handbill I made almost 30 years ago while living in Los Angeles. Actually, I was a resident of the venue L.A.C.E. (Los Angeles Contemporary Exhibitions) which is still around, but now in Hollywood, and no longer providing live-work space as it did in those days. This show was organized by my neighbors Tim Hayes and Kevin Bourque (the latter went on to produce “Cirque Berzerk”, a Los Angeles based Circus) and featured my good friends, “The Imperial Butt Wizards”, who were one of the wilder acts on the LA scene at the time with raucous absurdist performances featuring pyrotechnics, costumery, and typically loads of stuffed animals that were sent flying around the room, exploded, set on fire, etc.

La Fete Sauvage also featured one of the all-time bad ideas: “Jell-O Pit”. Jell-O does not set and get firm if it isn’t refrigerated, and so a Jell-O pit is just a big syrupy sticky mess. Nothing enticing or erotic about it whatsoever. No one in their right mind wants to wallow sensually in a Jell-O pit. I had learned this the hard way a few years before when I tried the “Jell-O pit” idea at my “Circus of Mysteries” in 1989, and it was really a disaster that made a huge mess at the venue. I believe that I advised against the Jell-O pit for La Fete Sauvage, but the organizers went ahead with it anyway, and had me put it on the bill.

A kiddy pool was set up outside in front of the stage in the back lot where the bands were playing, and I recall that when the Butt Wizards played, an eccentric Japanese photographer who hung around back then (a nice and friendly person that spoke English poorly, took a lot of photos, and always wore flamboyant designer clothing that looked expensive) was seized with a sudden irrepressible frenzy. He jumped into the Jell-O pit and began to dance wildly, sloshing the sticky red liquid in all directions. Everyone in range was getting splashed with Jell-O including the band. No one was really expecting this to happen, but then again I’m not sure what anyone was actually expecting.

I can’t recollect much else about the show. I think there was a lot of fuss about the Jell-O pit and the Butt Wizards after the show. That’s all!